James Cameron was born in Kapuskasing, Canada, just north of Niagara Falls. Chafing at the strict discipline of his engineer father, Cameron became the master builder of his playmates, and enlisted his friends in elaborate construction projects, building go-carts, boats, rockets, catapults and miniature submersibles. His artist mother encouraged him to draw and paint. She helped arrange an exhibition of his work in a local gallery when he was still in his teens. Inspired by the film 2001: A Space Odyssey, he began to experiment with 16 mm film, photographing model space ships he had built.

The Cameron family moved to Fullerton, California when he was 17 and Cameron enrolled at Fullerton College. Uncertain of his direction in life, torn between art and science, he dropped out of college, married and a waitress and drove a truck for the local school district. After the film Star Wars reawakened his love of filmmaking, he quit his job and followed his own course of study in the library of the University of Southern California, reading up on the technology of special effects, optical printing, front and rear projection. He spent his meager savings on photographic equipment, building his own dolly track and experimenting with beam splitters in the living room of his small suburban house.

His wife and friends doubted his sanity, but he borrowed money from friends to make a short film he showed to low-budget maestro Roger Corman. Corman gave Cameron a chance to work as a model builder and production designer on his horror films. "Three weeks after I started I had my own department," Cameron told Premiere magazine. "I was hiring people, and everybody else that worked there just hated me."

After two years with Corman, Cameron got his first crack at directing, but it almost turned into his last. The producer of Piranha II: The Spawning fired him unceremoniously, claiming the footage Cameron had shot was unusable. Cameron followed the producer from Jamaica to Rome, let himself into the editing bay after it was closed, and recut sections of the film himself.

While in Rome he conceived the film that was to make his reputation, The Terminator. The script found takers at the major studios, but Cameron insisted on directing it himself, a deal-killer. He finally sold the rights to producer Gale Anne Hurd for one dollar, on condition that he direct it himself. Cameron's unbridled enthusiasm won over Hemdale Films head John Daly and star Arnold Schwarzenegger. While waiting for Schwarzenegger to become available, Cameron wrote screenplays for Rambo: First Blood Part II and Aliens.

With the international success of the Terminator, Cameron won the director's chair for Aliens and went on to direct The Abyss, Terminator 2: Judgment Day and True Lies. Typecast as a director of high-testosterone action films, Cameron raised eyebrows by proposing Titanic as an intimate love story, albeit one with mid-boggling special effects. As production of the film ran months over schedule and millions of dollars over budget, industry pundits predicted an ignominious disaster. Cameron proved them wrong when Titanic broke box office records all over the world and swept the Academy Awards, winning an unprecedented 11 Oscars, including statuettes for Cameron as Best Director, and for the film as Best Picture.

His reputation as a driven perfectionist has become part of Hollywood legend. Cameron takes it in stride as he calmly plans his next film. Whatever he has up his sleeve, he has made motion picture history and touched the lives of millions.